{"title":"New releases","description":"\u003cbr\u003e","products":[{"product_id":"bigert-bergstrom-special-edition","title":"BIGERT \u0026 BERGSTRÖM, SPECIAL EDITION","description":"\u003cp style=\"display: inline;\" id=\"book-author\"\u003eBigert \u0026amp; Bergström, Birch Sunshine Recorder\u003cbr\u003eSpecial Edition, 18x18cm, ed.30.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eBirch Sunshine Recorder is a sculpture consisting of a crystal ball placed in a blackened piece of a birch trunk. Inside the wood, a ray of sunshine has been burned, representing the artists' long collaboration. A Sunshine Recorder is an analog tool used by meteorologists to record hours of sunshine per day. When the sun is up and moves in the sky, its rays are concentrated in the crystal ball, which burns a trajectory of the sun's passage into the wood.\u003c\/p\u003e\n\u003cp\u003eDelivered with a signed certificate and a signed copy of he monograph Bigert \u0026amp; Bergström: Works 1986-2016 that covers 30 years of Mats Bigert \u0026amp; Lars Bergström's artistic practice. Bigert \u0026amp; Bergström is a Swedish artist duo working with sculpture, installation, film, and performance. \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":40846531297487,"sku":"","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/bigert-bergstrom-special-edition-solar-birch-recorder.jpg?v=1633960371"},{"product_id":"peter-hagdahl-energy-liquids-connections-sustained","title":"PETER HAGDAHL: ENERGY, LIQUIDS, CONNECTIONS (SUSTAINED)","description":"\u003cp data-mce-fragment=\"1\"\u003eAuthor: Peter Hagdahl\u003cbr\u003eEditor: Björn Norberg\u003cbr\u003eText: Daniel Birnbaum, Rebecka Katz Thor,\u003cbr\u003eBjörn Norberg, Margaretha Thomson\u003cbr\u003eTranslation: Sarah Clyne Sundberg\u003cbr\u003eCopy Editor: David Price\u003cbr\u003eDesign: Waters Löwenhielm\u003cbr\u003e2022, English, softcover\u003cbr\u003e128 pages,  26 x 23  cm\u003cbr data-mce-fragment=\"1\"\u003eISBN: 9789198672039  \u003cbr\u003e\u003cbr\u003eSince the early 1990s Peter Hagdahl has worked with new media and is one of Sweden’s most acclaimed artists within the field. Hagdahl’s art grows out of an interactive process that involves dialogue and collaboration in diverse fields such as cultural theory, informatics, science and urbanism. \u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePeter Hagdahl: Energy, Liquids, Connections (Sustained) \u003c\/em\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ehighlights three major works by Hagdahl realized over a period of 30 years. The book includes conversations between Hagdahl and curator, art critic and writer Daniel Birnbaum and between Hagdahl and curator Björn Norberg as well as texts by researcher and writer \u003c\/span\u003eRebecka Katz Thor \u003cspan data-mce-fragment=\"1\"\u003eand Art Historian, curator and writer \u003c\/span\u003eMargaretha Thomson. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41477934547151,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/PETERHAGDAHL-ENERGY-LIQUIDS-CONNECTIONS-SUSTAINED-front.jpg?v=1724905154"},{"product_id":"jenny-kallman-sideshow-special-edition","title":"JENNY KÄLLMAN, SPECIAL EDITION","description":"\u003cp\u003eJenny Källman, Special Edition\u003cbr\u003eSideshow, 2017\u003cbr\u003ePigment print, 36x42.5cm, ed. 25\u003cbr\u003e\u003cbr\u003eJenny Källman’s (b. 1973) work oscillates between documentary and staged photography and has been described as stills from a film, with her imagery in closely linked to the phantasies of the viewer. A recurring theme is the vulnerability of young people in strange new worlds, in open or closed spaces, she has also examined how people behave and interact in these spaces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSold unframed, please see image for framing suggestion. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41597400056015,"sku":"","price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/jenny-kallman-sideshow-specialedition.jpg?v=1646833968"},{"product_id":"peter-hagdahl-special-edition","title":"PETER HAGDAHL, SPECIAL EDITION","description":"\u003cp\u003ePeter Hagdahl, Special Edition, War, Power and Explosion (flowchart), 2022\u003cbr\u003eOil on plexi, ink and lead pencil drawing\u003cbr\u003e24x24cm, ed 25\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePeter Hagdahl (b. 1956) Since the early 1990s Hagdahl has worked with new media and is one of Sweden’s most acclaimed artists within the field. Hagdahl’s art grows out of an interactive process that involves dialogue and collaboration in diverse fields such as cultural theory, informatics, science and urbanism. Change, influence and transformation are key concepts for Hagdahl and his work comments on\/investigates contemporary society as well as fundamental existential questions.   \u003cbr\u003e\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41597434003663,"sku":"","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/peter-hagdahl-special-edition.jpg?v=1723742412"},{"product_id":"sophie-tottie-special-edition","title":"SOPHIE TOTTIE, SPECIAL EDITION","description":"\u003cp\u003eSophie Tottie, Special Edition\u003cbr\u003eFRIHET ÄR EN PRAKTIK, 2022\u003cbr\u003epigment print, 42x59,5cm, ed. 30\u003cbr\u003e\u003cbr\u003eSophie Tottie (b. 1964) examines topics with situation-specific, existential, political and historical reference points at the intersection of the individual and larger structural systems. How can we understand and interpret what is happening in our own time? Using techniques such as painting, drawing, sculpture, video and text Tottie’s work demonstrates the changing aspects of complex and progressive ideas. An ongoing viewing, media reports, changed thought patterns, rewritten history, conditions and dreams.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSold unframed\u003cbr\u003e\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41616964157647,"sku":"","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/sophie-tottie-frihet-ar-en-praktik-special-edition.jpg?v=1647419631"},{"product_id":"sophie-tottie-special-edition-1","title":"SOPHIE TOTTIE, SPECIAL EDITION","description":"\u003cp\u003eSophie Tottie, Special Edition\u003cbr\u003eFREEDOM IS A PRACTICE, 2022\u003cbr\u003epigment print, 42x59,5cm, ed. 30\u003c\/p\u003e\n\u003cp\u003eSophie Tottie (b. 1964) examines topics with situation-specific, existential, political and historical reference points at the intersection of the individual and larger structural systems. How can we understand and interpret what is happening in our own time? Using techniques such as painting, drawing, sculpture, video and text Tottie’s work demonstrates the changing aspects of complex and progressive ideas. An ongoing viewing, media reports, changed thought patterns, rewritten history, conditions and dreams.\u003c\/p\u003e\n\u003cp\u003eSold unframed\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41616970547407,"sku":"","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/sophie-tottie-freedom-is-a-practice-special-edition.jpg?v=1647419872"},{"product_id":"mikael-olsson-olsson-mikael","title":"MIKAEL OLSSON: OLSSON MIKAEL","description":"\u003cp data-mce-fragment=\"1\"\u003ePhotography: Mikael Olsson\u003cbr\u003eText: Sinziana Ravini\u003cbr\u003eTranslation: Christine Antaya\u003cbr\u003eCopy-editing: Mikael Andersson\u003cbr\u003eDesign: Malin Augustsson and Mikael Olsson\u003cbr\u003e2022, English, hardcover\u003cbr\u003e64 pages, 21 x 15 cm\u003cbr data-mce-fragment=\"1\"\u003eISBN: 9789198672022  \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSelf-portraiture has a long and meandering history. Albrecht Du\u003c\/em\u003e\u003cem\u003ë\u003c\/em\u003e\u003cem\u003erer, Rembrandt, Van Gogh, Salvador Dali, Frida Kahlo, Warhol, Cindy Sherman, Sarah Lucas, Amalia Ullman, Rafia Santana. If portraiture can be categorised as a social encounter, the self-portrait is a perceptual encounter with one’s own body, and all the physical constraints that such an act entails. The physiological impossibility of seeing oneself has fascinated artists for centuries and inspired great works that play with these limitations. The self-portraits of Mikael Olsson – which are actually demi-self-portraits, as they only capture the top of his head and his bespectacled eyes – are a brilliant entry into the mirror halls of art history.  \u003c\/em\u003e\u003cspan\u003eSinziana Ravini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eOlsson’s self-portraits\/selfies (since 2007) challenge the narcissistic use of selfies as well as the status of influencers. Further he destabilizes the composition of a traditional selfie where the eye line is recommended to be one-third down from the top frame. Through play and intuition, Olsson’s images are marked by both intimacy and distance, the role of his own physical presence and the perceptive relationship to the surroundings. \u003cem data-mce-fragment=\"1\"\u003eOlsson Mikael \u003c\/em\u003eincludes an essay by writer and psychoanalyst Sinziana Ravini. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41622804463823,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/Cover-Olsson-MikaelFril.jpg?v=1723733776"},{"product_id":"mikael-olsson-olsson-mikael-special-edition","title":"MIKAEL OLSSON: OLSSON MIKAEL, SPECIAL EDITION","description":"\u003cp\u003eMikael Olsson, Special Edition\u003cbr\u003e\u003cem\u003eL'Origine du monde, \u003c\/em\u003e2022\u003cbr\u003ePigment print\u003cbr\u003e15x21 cm, ed. 50 \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eOlsson’s self-portraits\/selfies (since 2007) destabilizes the composition of a traditional selfie where the eye line is recommended to be one-third down from the top frame. Through play and intuition, Olsson’s images are marked by both intimacy and distance, the role of his own physical presence and the perceptive relationship to the surroundings. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSigned and numbered print delivered together with the signed book in a plastic sleeve. Sold unframed, please see image for framing suggestion.\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41666501214415,"sku":"","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/mikael-olsson-special-edition-front.jpg?v=1648717196"},{"product_id":"ulla-wiggen","title":"ULLA WIGGEN","description":"\u003cp\u003eAuthor: Ulla Wiggen\u003cbr\u003eText: Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, Caleb Considine\u003cbr\u003eTranslations: Ben Caton, Anna Tebelius \u003cbr\u003e Copy-editing: David Price\u003cbr\u003eDesign: Kölqvist\u003cbr\u003e2022, English, hardcover\u003cbr\u003e108 pages, 30 x 26 cm\u003cbr\u003e ISBN: 9789198672060\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances \u003cem data-mce-fragment=\"1\"\u003e9 Evenings: Theatre \u0026amp; Engineering\u003c\/em\u003e in New York assisting Öyvind Fahlström, whose radical view of art was of great importance to her. In 1969 she started painting humans and then made a series of portraits. She also became a licensed psychotherapist, which became her primary vocation until 2013 when she after an exhibition with her previous paintings at the Moderna Museet decided to resume her artistry. Since then, her focus on the computer's interior and the human exterior has shifted to the inside of the human body and increasingly focused on the brain and iris of the eye. \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":41684795752655,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/ulla-wiggen-cover.jpg?v=1650545952"},{"product_id":"public-memory-public-art-reflections-on-monuments-and-memorial-art-today","title":"PUBLIC MEMORY, PUBLIC ART  Reflections on Monuments and Memorial Art Today","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEditors: Annika Enqvist, Karolina Modig, Rebecka Katz Thor, Joanna Zawieja. \u003c\/span\u003eIntroduction: Patrick Amsellem. 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The anthology \u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublic Memory, Public Art – Reflections on Monuments and Memorial Art Today\u003c\/span\u003e\u003c\/em\u003e presents 25 texts that explore and discuss memorial art in our common spaces. The anthology includes texts on monuments, memorials, memory, democracy, power, and oppression and have a Swedish focus with an international perspective. The book is published in collaboration with the Public Art Agency Sweden.\u003c\/p\u003e\n\u003cp\u003eCover image: A drawing from the book \u003cem\u003eRundor\u003c\/em\u003e by artist Astrid Göransson included in a democracy monument for the Swedish Parliament in 2022. \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":42081739505871,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/public_memory_public_art_front.jpg?v=1663155106"},{"product_id":"kristina-jansson-space-lost-and-found","title":"KRISTINA JANSSON: SPACE - LOST AND FOUND","description":"\u003cp data-mce-fragment=\"1\"\u003eAuthor: Kristina Jansson\u003cbr\u003eText: Annika Elisabeth von Hausswolff, Kristina Jansson, Anders Olofsson\u003cbr\u003eDesign: Waters Löwenhielm\u003cbr\u003e2022, English, Swedish, hardcover\u003cbr\u003e156 pages,  27 x 26  cm\u003cbr\u003e ISBN: 9789198672190\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKristina Jansson’s paintings involves a work process that draws inspiration from current and historical events, with references from various media and popular culture. Furthermore, Jansson investigates different types of spaces: private, public and temporary fictional architectural spaces such as the theater stage, the film set, the music studio and the museum. Jansson’s work is at the same time seeking and evasive, and she has consistently returned to the question of the importance of painting as a medium in our time. Through processing fragments from our collective stream of images via intuition, perception, and memory she uses painting as a visually seductive construction. A transformed place disconnected from time and space.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eKristina Jansson: Space – Lost and Found\u003c\/em\u003e is the most comprehensive publication on Jansson’s work to date and includes works from the artist’s oeuvre dating from 2005 to the present. Includes texts by artist Annika Elisabeth von Hausswolff, art writer Anders Olofsson and a text by the artist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":42196951204047,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/Kristina-Jansson-space-lost-and-founf.jpg?v=1664813342"},{"product_id":"brf-bff","title":"BRF BFF","description":"\u003cp\u003eText: Elis Monteverde Burrau\u003cbr\u003eDesign: Kölqvist\u003cbr\u003e2022, Swedish, softcover\u003cbr\u003e38 pages, 11,5 x 19,5 cm\u003cbr\u003e9789198672084\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eI BRF BFF återkommer Alfred Bomans Pergola (2014), en platsspecifik skulptur i trädgården, i vilken Jim Thorells Work for the pergola (2014) bidrar till upplevelsen av ett uterum eller ett konstrum. En gemensam skapelse av två vänner vilken nu, åtta år senare, blivit restaurerad och fått en ny färg. På liknande sätt kopplar även Elin Elfström tillbaka till sin utställning New Low (2016) där hon för första gången visade skulpturer. Elfström använder sig av kasserade konsumtionsföremål såsom telefoner, smycken och läskburkar som hon gjuter fast i betong. Till BRF BFF har hon skapat ny skulptur som installerats permanent i trädgården. Den här publikationen är en dokumentation av utställningen sammanställd av Kamarade i Falsterbo sommaren 2022. Den innehåller även en text av Elis Monteverde Burrau, författad i relation till utställningen.  \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":42227059949775,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/BRF-BFF-boman-monteverde-burrau-elfstrom-thorell-kamarade-front.jpg?v=1667914397"},{"product_id":"imagining-the-audience","title":"EBOOK: IMAGINING THE AUDIENCE: VIEWING POSITIONS IN CURATORIAL AND ARTISTIC PRACTICE second edition","description":"\u003cp style=\"display: inline;\" id=\"book-editors\"\u003eEditors: Magdalena Malm, Annika Wik. \u003c\/p\u003e\n\u003cp style=\"display: inline;\" id=\"book-writers\"\u003eText: Kader Attia, Phil Collins, \u003cspan\u003eJacquelyn\u003c\/span\u003e Davis, Claire Doherty, Lundahl \u0026amp; Seitl, Raimundas Malasauskas, Magdalena Malm, Simon Njami, Johan Pousette, Johanna Warsza, Annika Wik\u003c\/p\u003e\n\u003cp style=\"display: inline;\"\u003ee. 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Using sound and light to create animations of real things in the physical space. The result is for example dancing brooms or popcorn appearing to pop. Just like in the classic artistic \u003cem\u003etrompe l’oeuil\u003c\/em\u003e technique, the works are experienced as true, while you simultaneously understand that you’re being tricked.\u003c\/p\u003e\n\u003cp\u003ePeter Geschwind (1966–2021) lived and worked in Stockholm where he had great influence on the field of art. In his artistry, Geschwind explored a variety of materials and techniques. He often reused everyday objects that he redefined and charged with new meanings. The usually low-tech, works have a D.I.Y. feel, playing with popular cultural references, in which humour as well as melancholy are present. Geschwind had a background in music – sound, rhythm, and pulse are constantly present as an additional dimension in his artistry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eP\u003c\/span\u003eublished in collaboration with Bonniers Konsthall in conjunction with the exhibition \u003cem\u003eAfter Image\u003c\/em\u003e. English and Swedish editions available.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Swedish","offer_id":42738077139151,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true},{"title":"English","offer_id":42738077171919,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/peter-geschwind-after-image-bonniers-front.jpg?v=1681203499"},{"product_id":"sophie-tottie-aiwhetl-catalogue-and-related-works","title":"SOPHIE TOTTIE: AiWHEtL (CATALOGUE AND RELATED WORKS)","description":"\u003cp\u003eAuthor: Sophie Tottie\u003cbr\u003eText: Mårten Arndtzén, Magnus Bons, Connie Butler, \u003cbr\u003eLuis Camnitzer, Sophie Tottie\u2028\u003cbr\u003eDesign: Jöran Rammhällen, Sophie Tottie\u003cbr\u003e2023, English, softcover\u2028 \u003cbr\u003e120 pages, 21,5 x 27,7 cm\u003cbr\u003eISBN: 9789198672091\u003c\/p\u003e\n\u003cp\u003eThe world is always inevitably changing. At the same time, we humans look for patterns and regularities. \u003cstrong\u003e\u003cem\u003eAiWHEtL\u003c\/em\u003e\u003c\/strong\u003e* revolves around doing and thinking as a process of understanding, in which the result essentially cannot be owned but remains in constant change.\u003c\/p\u003e\n\u003cp\u003eIn Sophie Tottie’s recent work – re-workings of previous work, text material and leftover products like paint and brush cleaner – are incorporated and reused in new work. Tottie’s works function as prisms that weigh, measure, and materialize something that seems to belong to an inner, intangible reality but which manifests itself in an outer material and physical existence. \u003c\/p\u003e\n\u003cp\u003eThe work in \u003cstrong\u003e\u003cem\u003eAiWHEtL\u003c\/em\u003e\u003c\/strong\u003e circles around the act of learning, where one main question is not what it is about but how it works. The book includes four texts that discuss Tottie's work from the 1990s up to the present – a work that is not a conglomeration of facts and an end point, but which remodels through actions, ongoing contemplation and re-evaluations of what has been said and done.\u003c\/p\u003e\n\u003cp\u003e* The title is an acronym of the sentence “\u003cem\u003eAs if We Had Everything to Learn\u003c\/em\u003e” from the text: ‘Lygia Clark: A Space Open to Time’ by Connie Butler, published in the catalogue for \u003cem\u003eLygia Clark: The Abandonment of Art, 1948-1988\u003c\/em\u003e, at the Museum of Modern Art, New York, 2014. \u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":46509242089813,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/products\/sophie-tottie-AiWHEtL-CATALOGUEANDRELATEDWORKS.jpg?v=1681202903"},{"product_id":"tham-videgard-on-architecture","title":"THAM \u0026 VIDEGÅRD – ON: ARCHITECTURE","description":"\u003cp\u003eAuthors: Bolle Tham, Martin Videgård\u003cbr\u003eText: Daniel Golling, Kieran Long\u003cbr\u003e Layout: Felix Dahlén, Tham \u0026amp; Videgård Arkitekter\u003cbr\u003eDesign Consultant: Björn Kusoffsky\u003cbr\u003e2023, English, softcover\u003cbr\u003e 444 pages, 27 x 27 cm\u003cbr\u003e ISBN: 9789198672114  \u003c\/p\u003e\n\u003cp\u003eThe title - \u003ci\u003eOn: Architecture\u003c\/i\u003e - comes out of Tham \u0026amp; Videgård’s desire to think and talk about the fundamentals of architecture. The book shares this conversation with the reader and shows, through seventy-three project examples, how their ideas have been tested in practice. \"\u003ci\u003eArchitecture concerns us all. It is the most comprehensive and complex art form in society. In our work, it emerges from an ongoing discussion about architecture and a desire to explore what architecture can be\u003c\/i\u003e\" says Bolle Tham \u0026amp; Martin Videgård. Tham \u0026amp; Videgård, founded by Bolle Tham and Martin Videgård in 1999, are internationally recognized, award-winning architects of unique buildings at a wide variety of scales. The new book, the most comprehensive publication to date, includes a broad selection of built, unbuilt and ongoing projects from the studio’s over twenty years in practice. Tham \u0026amp; Videgård  \u003ci\u003eOn: Architecture \u003c\/i\u003ewas published in conjunction with the major exhibition on Tham \u0026amp; Videgård’s work at ArkDes in Stockholm, Sweden's national centre for Architecture and Design. 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Add shellac, coffee grounds, watercolor, and pencil, not to mention dusts and other surface dirt. The surface texture of the works is accentuated by the many materials they are created with.\u003c\/p\u003e\n\u003cp\u003eFrom the conversation between curator and writer Silvana Lagos and Hans Andersson:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSilvana Lagos: This repetition of tactility is something that you repeat, for example, when you experiment with the use of smell and your collaborations with perfumes. The different  notes, layers, tones, and depths that can be found in scents very much parallel what you can see in your work. \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHans Andersson: I’m really into scent, I collect perfumes, and I use perfumes or smells to heavily guide my work process in the studio. I use them to go into certain areas of my paintings in a very similar way to how music can be used to create a certain atmosphere, but smell is more complex for me as\u003cbr\u003eit has so much to do with memories of places and people.\u003c\/em\u003e\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":46776927945045,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/hans-andersson-artist-book-cover-ha.jpg?v=1685805548"},{"product_id":"matts-leiderstam-seen-through-the-grid","title":"MATTS LEIDERSTAM: SEEN THROUGH THE GRID","description":"\u003cp\u003eAuthor, Editor: Matts Leiderstam\u003cbr\u003eText: Matts Leiderstam, Maria Lind\u003cbr\u003eDesign: ÅBÄKE\u003cbr\u003ePublishing Editor: Johanna Widlund Crisman\u003cbr\u003e2023, English, softcover\u003cbr\u003e80 pages, 23 x 29 cm\u003cbr\u003eBooklets and a poster in a die cut folder\u003cbr\u003eISBN: 9789198672169\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMatts Leiderstam’s art and researched-based work is closely related to the history of painting. He is systematically looking for alternative, queer, narratives relating to viewing a painting. Leiderstam explores the grid as a tool for the composition of images, which was developed during the Italian Renaissance. The grid has been central to image-making ever since, including for photography, and not least for computer-generated images in a contemporary context where we are continuously connected to a global data network via our screens.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLeiderstam’s ideas\/reflections and examination of the grid and its relation to the gaze is also a research project. The new book, \u003cem data-mce-fragment=\"1\"\u003eSeen Through the Grid\u003c\/em\u003e, marks the end of the project and includes a foreword and a text by Matts Leiderstam, a text by curator, writer and director of Konstmuseet i Norr\/Norrbotten County Art Museum Maria Lind as well as a conversation between Matts Leiderstam and Maria Lind. The book's layout and design result from a close collaboration between graphic designer Patrick Lacey, photographer Svante Larsson and Matts Leiderstam.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe research project and book is published with support from the Swedish Research Council and the Siri and Sven-Ivar Lind Fund, Royal Academy of Fine Arts (the book).\u003c\/p\u003e","brand":"Art and Theory Publishing","offers":[{"title":"Default Title","offer_id":47208286585173,"sku":"","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/matts-leiderstam-seen-through-the-grid-cover.jpg?v=1698042790"},{"product_id":"nathalie-djurberg-hans-berg-only-for-the-wicked","title":"NATHALIE DJURBERG \u0026 HANS BERG: ONLY FOR THE WICKED","description":"\u003cp\u003eAuthors: Nathalie \u003cspan\u003eDjurberg, Hans Berg\u003c\/span\u003e\u003cbr\u003eText: Eva Eriksdotter, Caroline Gustafsson, \u003cbr\u003eEvan Moffitt, Sinziana Ravini\u003cbr\u003e Editor: Silvana Lagos\u003cbr\u003e Design: Karolina Eriksson\/Borås Konstmuseum\u003cbr\u003e 2023, English, softcover\u003cbr\u003e 80 pages, 17 x 24 cm\u003cbr\u003e ISBN 9789198672138\u003c\/p\u003e\n\u003cp\u003eDjurberg \u0026amp; Berg create ambiguous atmospheres and situations in their installations, where the viewer through animations and music is transferred between different state of minds. Often, we encounter transgressive narratives that are replete with symbolic depth and emotional resonance. These narratives delve into allegorical myths and conjure grotesque, nightmarish visions, all while the artists courageously navigate the shadows of humanity, unearthing themes like oppression and greed. At the same time their work refuses to make a distinction between good and evil, right and wrong. The films and sculptures are usually shown as part of extensive immersive installations where the viewer is invited to step into the world of the artists.\u003c\/p\u003e\n\u003cp\u003eThe exhibition is the world premiere for several new works: the video clay animation \u003cem\u003eOnly for the Wicked\u003c\/em\u003e—consisting of seven films, which also provided the exhibition title, the three gilt sculptures \u003cem\u003ePortrait of a Wicked, 1, 2 \u0026amp; 3\u003c\/em\u003e, and the installation \u003cem\u003eThe Stone Garden\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eHans Berg and Nathalie Djurberg have collaborated since 2004 and live in Sweden and United Kingdom, their work has been exhibited in solo shows at New Museum, New York, Moderna museum, Stockholm, Schirn Kunsthalle, Frankfurt, Baltimore Museum of Art, Fondazione Prada, Milan among others. They have exhibited widely together in group shows, including the 53rd Venice Biennale, Italy in 2009, earning them the Silver Lion. Their work is featured in a number of collections around the world, including the Prada Foundation in Milan, Italy and the Museum of Modern Art in New York, USA.\u003c\/p\u003e\n\u003cp\u003eThe book includes texts by Eva Eriksdotter, Museum Director Borås Art Museum, Caroline Gustafsson, curator Borås Art Museum, Evan Moffitt, writer and art critic and Sinziana Ravini, art critic, author and psychoanalyst. Published by Borås Art Museum in connection with the exhibition Only for the Wicked (10 June – 5 November 2023), distributed by Art \u0026amp; Theory Publishing. The book is edited by Silvana Lagos, curator, and writer.\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":47239975338325,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/nathalie-djurberg-hans-berg-only-for-the-wicked.jpg?v=1696363112"},{"product_id":"sara-vide-ericson","title":"SARA-VIDE ERICSON","description":"\u003cp\u003eAuthor: Sara-Vide Ericson\u003cbr\u003eText: Sara Arrhenius, Daniel Birnbaum, Sinziana Ravini\u003cbr\u003e Design: Kölqvist \u003cbr\u003e 2023, English, hardcover\u003cbr\u003e 192 pages, 23 x 29.5 cm\u003cbr\u003e ISBN: 9789198672152\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSara-Vide Ericson’s paintings are rooted in personal and bodily experiences. Memories of places, moments and inherited experiences are, through the artist’s work process and the characteristics of the material, transformed into a concentrated new reality. Sara-Vide Ericson often depicts herself in her work but doesn’t think of them as self-portraits, rather as if she plays different roles and lends her body to the paintings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new book, the most comprehensive publication to date, includes a selection of Sara-Vide Ericson’s oeuvre dating from 2013 to the present, with texts by writer and curator Sara Arrhenius, director of Institut suédois in Paris, writer and curator Daniel Birnbaum, director Acute Art in London and Paris based writer, critic, and psychoanalyst Sinziana Ravini.\u003c\/p\u003e\n\u003cp\u003ePublished in collaboration with Galleri Magnus Karlsson, Stockholm, in conjunction with Sara-Vide Ericson’s major exhibition \u003cem data-mce-fragment=\"1\"\u003eDesire of the Tail\u003c\/em\u003e at Institut suédois in Paris (17 October 2023 – 18 February 2024).\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":47300235559253,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/sara-vide-ericson-front-poster.jpg?v=1695635749"},{"product_id":"jenny-kallman-ghost-hunting","title":"JENNY KÄLLMAN: GHOST HUNTING","description":"\u003cp data-mce-fragment=\"1\"\u003eAuthor: Jenny Källman\u003cbr\u003eTexts: Masha Taavoniku, Sara Walker\u003cbr\u003eDesign: Bedow\u003cbr\u003e2023, English, Swedish, softcover\u003cbr\u003e264 pages, 23 x 28 cm\u003cbr\u003eISBN: 9789198870503\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKällman's photographic language alternates between the staged and works that, through light and reflections, darkness, and mirroring, exist on their own abstract level.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn our endeavor to broaden and deepen knowledge of contemporary photography, Jenny Källman’s fantastic oeuvre presented in Ghost Hunting is a rich source of exploration. She has been active for over twenty years and is rooted in the analogue photographic tradition, but she has unmistakably retained an unfailing curiosity when it comes to the specific characteristics (and limitations) of the photographic medium. What can a photograph be and what can it convey? Let the ghost hunt begin. \u003cbr\u003e\u003c\/em\u003eSara Walker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new book, the most comprehensive publication to date, includes photography, film stills and installation views from Källman’s over 20 year long artistry. With texts by art historian and writer Masha Taavoniku and art historian, writer, and the director of Swedish Association for Art, (SAK), Sara Walker. \u003cbr\u003e\u003cbr\u003ePublished in collaboration with SAK as well as the yearbook of 2023. SAK is the oldest and largest public art association in Sweden. Since 1832, the purpose of the association has been to promote an interest in contemporary art. \u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":47380485407061,"sku":"","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/jenny-kallman-ghost-hunting-cover.jpg?v=1699976645"},{"product_id":"peripheral-vision-images-from-the-fringe-of-europe","title":"PERIPHERAL VISION: IMAGES FROM THE FRINGE OF EUROPE","description":"\u003cp\u003eEditors: Kristyna Müller, Magnus af Petersens \u003cbr\u003eText: Magnus Bons, Onkar Kular, Olga Krzeszowiec Malmsten, Elisa Medde, Kristyna Müller, Magnus af Petersens, Ieva Ruadsepa, Dragana Vujanović Östlind\u003cbr\u003eDesign: Lundgren+Lindqvist\u003cbr\u003e2023, English, softcover\u003cbr\u003e352 pages, 21,6 x 27,6 cm\u003cbr\u003eISBN \u003ca href=\"https:\/\/kundportal.forlagssystem.se\/artiklar\/artikel\/?id=9789198672145\"\u003e9789198672145\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePeripheral vision is the ability to see things outside of your direct line of sight. To notice and pay attention to what isn’t necessarily most obvious is a gift that the photographers in this book share. They represent different views and approaches to a changing Sweden and shows a selection of contemporary photography that oscillates between the documentary and the poetic.\u003c\/p\u003e\n\u003cp\u003eThis book collects twenty Swedish photographic practices, most of which have emerged during the last decade. It is produced by the Center for Photography (CFF-Centrum för fotografi) in Sweden, with the ambition of deepening knowledge about Swedish photography and helping it to reach a wider audience in Sweden and abroad.\u003c\/p\u003e\n\u003cp\u003eParticipating artists: Ikram Abdulkadir, Karin Alfredsson, Elin Berge, Maja Daniels, Charlotta Hammar, Erik Holmstedt, Martina Hoogland Ivanow, Cia Kanthi, Heikki Kaski, Klara Källström \u0026amp; Thobias Fäldt, Mårten Lange, Inka \u0026amp; Niclas Lindergård, Eric Magassa, Martin Magntorn, Chris Maluszynski, Katarina Pirak Sikku, Mia Rogersdotter Gran, Sofia Runarsdotter, Johannes Samuelsson and Märta Thisner.\u003c\/p\u003e\n\u003cp\u003eCFF is a nationwide association for photographers and professionals active in photography. The mission of CFF is to impart knowledge, provide general education and support various types of professionals within photography. The book is distributed by Art \u0026amp; Theory Publishing.\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":47380926071125,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/PERIPHERALVISION-IMAGESFROMTHEFRINGEOFEUROPE-cover.jpg?v=1700483416"},{"product_id":"conny-karlsson-lundgren-jag-kysser-dina-ogon-i-kiss-your-eyes","title":"CONNY KARLSSON LUNDGREN: JAG KYSSER DINA ÖGON\/I KISS YOUR EYES","description":"\u003cp\u003eAuthor: Conny Karlsson Lundgren\u003cbr\u003eEditors: Albin Hillervik, Joanna Nordin\u003cbr\u003eText: Kristofer Folkhammar, Joanna Nordin, Andria Nyberg Forshage, \u003cbr\u003eLisa Rosendahl, Louise Wolthers and Erika Larsson \u003cbr\u003eDesign: Varv Varv\u003cbr\u003e2024, English, softcover\u003cbr\u003e212 pages, 17 x 24 cm\u003cbr\u003eISBN: 9789198870510 \u003c\/p\u003e\n\u003cp\u003eDesire, lust, intimacy, and resistance are reoccurring themes in Karlsson Lundgren’s practice. For more than 20 years, often with a starting point in the hidden micro-histories of the archive, he has gently let surface perspectives on queer experiences and Swedish gay history. Shared and temporary spaces such as the park, the night club, the bedroom or the work of activism often set the stage for his investigations. Within the parameters set up by the works, political and juridical structures are made visible, while often intertwined with moments of ecstasy, community, or liberation. Published in collaboration with Bonniers Konsthall in conjunction with the exhibition \u003cem data-mce-fragment=\"1\"\u003eI Kiss Your Eyes\u003c\/em\u003e (14 February – 7 April 2024). The book is produced by Bonniers Konsthall and distributed by Art \u0026amp; Theory Publishing. \u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":47999545049429,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/conny-karlsson-lundgren-i-kiss-your-eyes-cover.jpg?v=1713363438"},{"product_id":"christian-andersson-no-vestige-of-a-beginning-no-prospect-of-an-end","title":"CHRISTIAN ANDERSSON: NO VESTIGE OF A BEGINNING, NO PROSPECT OF AN END","description":"\u003cp\u003eAuthor: Christian Andersson\u003cbr\u003eText: Christian Andersson, Sara Arrhenius, Eva Eriksdotter, Caroline Gustafsson, Magnus Jensner, Jerker Virdborg \u003cbr\u003eDesign: Waters Löwenhielm\u003cbr\u003e2024, English, Swedish, softcover \u003cbr\u003e120 pages, 17 x 24 cm\u003cbr\u003eISBN: 9789198870534 \u003c\/p\u003e\n\u003cp\u003eThe title is a quote by Scottish physician and geologist James Hutton (1726-1797). 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The poetic and temporally open formula of the quote is enticing and inspiring to Andersson, but also mirrors his fascination with the perspectives on time and spatiality that so often distinguish his work.\u003c\/p\u003e\n\u003cp\u003ePublished in connection with the exhibitions \u003cem\u003eNo vestige of a beginning\u003c\/em\u003e, Hallands Konstmuseum, June 15 – November 10, 2024 and \u003cem\u003eNo prospect of an end\u003c\/em\u003e, Borås Konstmuseum, November 23, 2024 – March 30, 2025.\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":48523755782485,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/CHRISTIAN-ANDERSSON-NO-VESTIGE-OF-A-BEGINNING-NO-PROSPECT-OF-AN-END-front.jpg?v=1719559972"},{"product_id":"famous-paintings-marcus-martenson","title":"FAMOUS PAINTINGS: MARCUS MÅRTENSON","description":"\u003cp class=\"MsoNormal\" style=\"tab-stops: 36.0pt 72.0pt 108.0pt 144.0pt 180.0pt 216.0pt 252.0pt 288.0pt 324.0pt 360.0pt 396.0pt 432.0pt; mso-layout-grid-align: none; text-autospace: none;\"\u003eAuthor: Marcus Mårtenson\u003cbr\u003eText: Sebastian Johans\u2028\u003cbr\u003eDesign: Filip Rensfelt and Finntorp grafisk form\u2028\u003cbr\u003e2024, English, softcover\u2028232 pages, 23 x 30 cm\u2028\u003cbr\u003eISBN: 9789198870565 \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 36.0pt 72.0pt 108.0pt 144.0pt 180.0pt 216.0pt 252.0pt 288.0pt 324.0pt 360.0pt 396.0pt 432.0pt; mso-layout-grid-align: none; text-autospace: none;\"\u003eMarcus Mårtenson's artistic practice addresses contemporary issues such as consumption, surveillance and social media. In his work process he transforms references from capitalist popular culture into social criticism. Among Mårtenson’s sources of inspiration are current events, graffiti, icon painting and his upbringing in New York during the 1980s. His paintings embody a grid of thoughts and ideas mainly focusing on the existential crisis of the constantly digitally connected human being. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is easy to see Mårtenson’s entire body of work as a unified whole that traces our collective journey towards an increasingly frightening, and paradoxically, increasingly entertaining, surveillance society. “Surveillance can be fun!” exclaims a bubbling image that, apart from the text, is filled with confetti and icons from some of the multinational companies that make their money from mapping our existence. It’s a dark and somewhat satirical statement, sure. But at the same time, it contains\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esome truth.\u003c\/em\u003e Sebastian Johans\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":49330585993557,"sku":"","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/marcus-martenson-famous-paintings-cover.jpg?v=1725035438"},{"product_id":"inka-niclas-extensions","title":"INKA \u0026 NICLAS: EXTENSIONS","description":"\u003cp\u003eText: Olga Krzeszowiec Malmsten\u003cbr\u003eDesign: Sepidar Hosseini\u003cbr\u003e2024, English, hardcover\u003cbr\u003e112 pages, 22 x 28 cm\u003cbr\u003eISBN: 9789198870558 \u003c\/p\u003e\n\u003cp\u003eExtensions, Inka \u0026amp; Niclas Lindergård’s third book, is designed by Sepidar Hosseini and includes an essay by curator and writer Olga Krzeszowiec Malmsten. In the book the artists present a selection of carefully sequenced works from recent years. From the ghostly, transcendental photographs in Family Portraits to the shiny sculptures in Sunset Photography, where panoramic photographs, the kind we all take and fill our phones with but seldom revisit, are used as raw material, stretched out and manipulated into sculptural forms.\u003c\/p\u003e\n\u003cp\u003eThe artist duo creates hyperreal photographic utopias that synthesize and question beauty, kitsch, and visual desires in the imagery of the natural world. Misplaced sunsets, bubblegum waves, and full-spectrum panoramas, exaggerate the already beautified landscape photographs we surround ourselves with.\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":49414049431893,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/inka-and-niclas-extensions.jpg?v=1724838805"},{"product_id":"ann-sofie-back-go-as-you-please-1998-2018","title":"ANN-SOFIE BACK, GO AS YOU PLEASE, 1998-2018","description":"\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAuthor: \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eAnn-Sofie Back\u003cbr\u003eEditor: Johanna Widlund Crisman\u003cbr\u003eText: Ann-Sofie Back, Ulrich Lehmann, \u003cbr\u003eLauren Cochrane, Francesca Granata, \u003cbr\u003eMathilda Tham, Anders Edström, Maria Ben Saad\u003cbr\u003eDesign: \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eKölqvist\u003cbr\u003eDigitisation: William Widlund\u003cbr\u003e2024, English, \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003esoftcover\u003cbr\u003e310 pages, 23,5 x 28 cm\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cbr\u003eISBN: \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e9789198870572\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e             \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eComprehensive monograph showcasing Swedish fashion designer Ann-Sofie Back’s work between 1998–2018. The book features extensive imagery of Back’s collections, runway shows, lookbooks, styling work, exhibitions and press coverage, as well as interviews, articles, and texts by Back herself. The book provides a complete overview of Back’s career and impact on the global fashion industry.  \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eAnn-Sofie Back graduated from Central St Martin's, London, in 1998 and is known for her subversive and thought-provoking fashion, often inspired by clichés about femininity, shame, and failed glamor.    \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe book, an extensive overview of Ann-Sofie Back’s vast archive, includes re-published texts by Lauren Cochrane, Anders Edström, Francesca Granata, Ulrich Lehmann, Maria Ben Saad and Mathilda Tham as well as images by photographers such as Richard Prince, Johnny Dufort, Anders Edström, Nick Knight, David Sims, Juergen Teller and Harley\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e Weir.    \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003ePublished in conjunction with the exhibition \u003cem\u003eGo As You Please – Ann-Sofie Back 1998-2018\u003c\/em\u003e, 8 November 2024 - 23 February 2025 at Liljevalchs in Stockholm. \u003c\/span\u003e\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":49680903340373,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/ANN-SOFIE-BACK-GO-AS-YOU-PLEASE-1998-2018-front.jpg?v=1730740106"},{"product_id":"field-guide-to-bugs-metamorphosis-glitching-photography","title":"FIELD GUIDE TO BUGS \u0026 METAMORPHOSIS: GLITCHING PHOTOGRAPHY","description":"\u003cp\u003eEditors: Nina Mangalanayagam, Louise Wolthers \u003cbr\u003eAssistant Editor, Image Editor: Christoffer Vikström \u003cbr\u003eText: Cathryn Klasto, Nina Mangalanayagam, \u003cbr\u003ePeter Nielsen, Majken Overgaard, \u003cbr\u003ePeter Ole Pedersen, Louise Wolthers, \u003cbr\u003eTintin Wulia, Joanna Zylinska\u003cbr\u003ePublishing Editor: Johanna Widlund Crisman\u003cbr\u003eGraphic Design: Waters Löwenhielm\u003cbr\u003e2025, English, softcover\u003cbr\u003e268 pages, 9 x 19 cm\u003cbr\u003eISBN: \u003cspan\u003e9789198870589\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eThe book explores \"bugs\" in two ways: as technical glitches, processes and aesthetics stemming from visual errors in digital technologies, and as insects, with themes like swarming, webbing, symbiosis, and extinction. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eField Guide to \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eBugs \u0026amp; Metamorphosis: Glitching Photography\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eprovides critical insights into contemporary networked and machine-based photography. Using the locus of photography, the book and exhibition both examine how what might initially be perceived as an error can act as a creative and critical agent, simultaneously. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eFollowing the play on the double meaning of a bug – as a glitch and as an insect – the book is designed as a field guide, including an introduction by Nina Mangalanayagam and Louise Wolthers, as well as essays by Cathryn Klasto, Peter Nielsen, Majken Overgaard, Peter Ole Pedersen, Tintin Wulia, and Joanna Zylinska.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003eWorks by artists\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e: Taysir Batniji (PS\/FR), Mónica Alcázar-Duarte (ME), Olle Essvik (SE), Henrik Håkansson (SE), Jake Elwes (UK), Nina Mangalanayagam (SE), Joana Moll (ES),  Rashaad Newsome (US), Josèfa Ntjam (FR), Kristina Lenz and Alex Simon Klug (DE), Amalie Smith (DK), Clare Strand (UK), Hope Strickland (UK), Theopisti Stylianou-Lambert \u0026amp; Alexa Achilleos (CY), and Sheung Yiu (HK\/FI).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003ePublished in conjunction with the exhibition \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eBugs \u0026amp; Metamorphosis: Glitching Photography\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e, 7 February 2025 – 4 May 2025 at the Hasselblad Center in Gothenburg.  \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Art \u0026 Theory Publishing","offers":[{"title":"Default Title","offer_id":50041809568085,"sku":"","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0508\/9918\/9967\/files\/bugs-and-metamorphosis-glitching-photography-front.jpg?v=1738568977"},{"product_id":"lerin-hystad-electronic-flora","title":"LERIN \u0026 HYSTAD: ELECTRONIC FLORA","description":"\u003cp\u003eAuthors: Simon Torssell Lerin \u0026amp; Bettina Hvidevold Hystad\u003cbr\u003eText: Giovanni Aloi, Nadia Bensbih, Emanuele Coccia, Bettina Hvidevold Hystad \u0026amp; Simon Torssell Lerin, Suresh Jayaram, Mats Karström, Brandon LaBelle, Lars Lerin, Michael Marder, Timothy Morton, Elisabet Yanagisawa \u003cbr\u003eTranslation: Marinette Grimbeek, Erik van Ooijen\u003cbr\u003ePublishing Editor: Johanna Widlund Crisman\u003cbr\u003eDesign: Åbäke\u003cbr\u003e2025, English, Swedish, softcover\u003cbr\u003e256 pages, 23 x 33 cm\u003cbr\u003eISBN: 9789198870527\u003c\/p\u003e\n\u003cp\u003eThis book documents Lerin\/Hystad’s meetings with more than a hundred different plants through sketches, text, and music. 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Is Wretman absent?\u003cbr\u003eFor half a century, Fredrik Wretman's art has amazed and puzzled.  \u003c\/p\u003e\n\u003cp\u003eLOOKING FOR ALICE FINE is a monograph in which five authors reflect on Fredrik Wretman’s work, offering personal perspectives on a distinctive artistic practice devoted to exploring the nature of art itself. With a sense of reorientation, the reader is invited to trace a long development and encounter an artistry that is at once spiritual and playful - resisting any easy classification.\u003c\/p\u003e\n\u003cp\u003e\"The sculpture \u003cem\u003eLooking for Alice Fine\u003c\/em\u003e is a portrait of the questing artist. Or the artist who wants to become one with his medium and escape into his painting. I view artistic work and meditation as two sides of the same coin. They are two different methods for connecting with your unconscious, two ways to start thinking. 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